Trine Dyrholm's undressing scene in Bungalow (2002)(0:28)

Paul, deserting from the army, finds himself in his parents' country bungalow. At the same time, the very first frames, the frames of his “escape,” show all the passivity of his rebellion. He does not run, but simply waits, catches a favorable combination of circumstances. Cars with soldiers stop for a short rest near a country gas station. Paul breaks away from the group, sits down next to one of the cafe visitors and, quite calmly, while studying the newspaper, “accidentally” does not have time for the departure of his company.